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Karl Bartos (born 31 May 1952 in Berchtesgaden, Germany) is a German musician and composer.
He was a drummer of college band The Jokers (later The Jolly Jokers in 1975 ) as Carlos Bartos, around 1965 to 1972. Between 1975 and 1991, he was, along with Wolfgang Flür, an electronic percussionist in the electronic music band Kraftwerk.  He was originally recruited to play on Kraftwerk's US "Autobahn" tour. In addition to his percussion playing, Bartos was credited with songwriting on the Man-Machine, Computer World, and Electric Café albums and sang one lead vocal on the latter.
In 1992 Bartos founded Elektric Music. This new project released the Kraftwerk-style Esperanto in 1993, and then the more guitar-based Electric Music in 1998. In between the two albums, Bartos collaborated with Bernard Sumner and Johnny Marr on Electronic's 1996 album Raise the Pressure, and co-wrote material with Andy McCluskey of OMD, which appeared on both Esperanto and OMD's Universal album. In 1998, he also produced an album by Swedish synthpop band the Mobile Homes, much in the style of his work with Electronic: guitar-pop with very slight synthetic references. It was received as a great disappointment to synthpop fans, but it sold more than any of their previous albums and was used in an advert for an airline.
Read More - https://en.wikipedia.org/wiki/Karl_Bartos

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Milton Byron Babbitt (May 10, 1916 – January 29, 2011) was an American composer, music theorist, and teacher. He is particularly noted for his serial and electronic music.
Babbitt was born in Philadelphia (Barkin & Brody 2001) to Albert E. Babbitt and Sarah Potamkin. He was Jewish (Anon. & n.d.(b)). He was raised in Jackson, Mississippi, and began studying the violin when he was four but soon switched to clarinet and saxophone. Early in his life he was attracted to jazz and theater music. He was making his own arrangements of popular songs at seven, and when he was thirteen, he won a local songwriting contest (Kozinn 2011).
Babbitt later became interested in electronic music. He was hired by RCA as consultant composer to work with their RCA Mark II Synthesizer at the Columbia-Princeton Electronic Music Center (known since 1996 as the Columbia University Computer Music Center), and in 1961 produced his Composition for Synthesizer. Babbitt was less interested in producing new timbres than in the rhythmic precision he could achieve using the Mark II synthesizer, a degree of precision previously unobtainable in live performances (Barkin & Brody 2001).
Read more - https://en.wikipedia.org/wiki/Milton_Babbitt

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Tristram Ogilvie Cary, OAM (14 May 1925 – 24 April 2008) was a pioneering English-Australian composer. He was also active as a teacher and music critic.
His concert works of note include a Sonata for guitar (1959), Continuum for tape (1969), a cantata Peccata Mundi (1972), Contours and Densities at First Hill for orchestra (1972), a Nonet (1979), String Quartet No. 2 (1985) and The Dancing Girls for orchestra (1991).
Cary is also particularly well known for his film and television music. He wrote music for the science fiction television series Doctor Who(including the first Dalek story), as well as the score for the Ealing comedy The Ladykillers (1955). Later film scores included Quatermass and the Pit (1967) and Blood from the Mummy's Tomb (1971), both for Hammer. He also composed the score for the ABC TV animated version of A Christmas Carol. and the children's Animated special Katya and the Nutcracker.
Read more - https://en.wikipedia.org/wiki/Tristram_Cary

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Robert Fripp (born 16 May 1946) is an English guitarist, composer and record producer. As a guitarist for the progressive rock band King Crimson, Fripp has been the only member to have played in all of King Crimson's line-ups from their inception in the late 1960s to the present. He has also worked extensively as a studio musician, notably with singer David Bowie on the albums "Heroes" and Scary Monsters (And Super Creeps), Brian Eno, David Sylvian and contributed sounds to the Windows Vista operating system. His complete discography lists more than seven hundred releases over four decades. He is ranked 62nd on Rolling Stone magazine's 2011 list of the 100 Greatest Guitarists of All Time after having been ranked by David Fricke 42nd on its 2003 list. Tied with Andrés Segovia, he also is ranked 47th on Gibson's Top 50 guitarists of all time. His compositions often feature unusual time signatures, which have been influenced by classical and folk traditions. His innovations include Frippertronics, soundscapes, and new standard tuning.
Read more - https://www.dgmlive.com/robert-fripp
 

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Brian Peter George St John le Baptiste de la Salle Eno, is an English musician, composer, record producer, singer, writer, and visual artist. He is best known for his pioneering work in rock, ambient, pop, and electronic music. A self-described "non-musician", Eno has helped to introduce a variety of unique conceptual approaches and recording techniques into contemporary music, advocating a methodology of "theory over practice" throughout his career. He has been described as one of popular music's most influential and innovative figures.
Read more - http://www.brian-eno.net/

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Robert Arthur "Bob" Moog (May 23, 1934 – August 21, 2005), founder of Moog Music, was an American engineer and pioneer of electronic music, best known as the inventor of the Moog synthesizer. During his lifetime, Moog founded two companies for manufacturing electronic musical instruments. Moog's innovative electronic design is employed in numerous synthesizers including the Minimoog Model D, Minimoog Voyager, Little Phatty, Sub 37, Moog Taurus Bass Pedals, Moog Minitaur, and the Moogerfooger line of effects pedals.
Read more at https://en.wikipedia.org/wiki/Robert_Moog

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