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This event repeats every week on Wednesday forever


This is my current weekly programme. It's not entirely electronic, and some weeks may not have any at all, but it's part of the name, so has a large representation. Unfortunately, it is only an hour, so longer pieces rarely get heard, but I try to when I can. Everything from classic studio type works to current high-tech wonders, though I tend to steer away from overly beat-driven or "pop" sounding tracks.
http://www.ciut.fm/shows-2/music-shows/electric-sense/

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This event repeats every month forever


This is basically an un-meeting. Show up at 4pm, setup by the amps at the Noise Audio Workstation in the back, and be sure to allow each person 5 - 10 minutes to demo and share their project/instrument/recording/favorite music/whatever. Once everyone has shared, things will naturally devolve into a gear jam freakout. All are welcome, and snacks are encouraged!
More details at 
 

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This event repeats every week forever


Who?
Your host for "Music With Space" is Mike Hunter. Mike Hunter is a long time electronic musician and lover of electronic, avant guarde, progressive, classical, experimental music. Along with hosting Music With Space, Mike records and performs live as Ombient, is the current guitarist for Brainstatik and member of the duo Mayakara.
What?
The idea is to play a variety of genres of music with aural  length, width and breadth…music with an expansive and dynamic nature…Music that is non-invasive and though provoking. A soundtrack to dreamy reflection and meditation. You'll hear tracks that span works from composers such as György Ligeti and Alvin Lucier, artists like electronic music pioneers likeKluster and Tangerine Dream and even further towards the rim with such bands as the drone/sludge rock group Earth.
...Consider this your escape from the "close up and in your face" sound that dominates mass market radio.
Where?
Music from Space is a radio show  is heard on your dial at 103.3FM  and on the web atWPRB.com
By the way, please consider a donation to our not-for-profit station and keep the music alive. See the link on the right side of most of the pages on this site.
When?
Friday nights (technically Saturday morning) from 12:00AM until 3:00AM
How?
Tune in to 103.3 on your FM dial or via the world wide web at www.wprb.com/listen.php.
Web!
http://www.musicwithspace.com/

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This event repeats every week on Saturday forever


Rebekkah Hilgraves brings her show to RadioSpiral on Saturdays at 1pm. The basic premise of the show is that music is everywhere, in everything: in the hum of a city, in the pulse of construction machinery or a heartbeat, in footsteps, in laughter, in breath, in the shuffling of an impatient audience… and, like John Cage’s “Four minutes and thirty-three seconds”, all you have to do is sit and listen.
Tune in to At Water's Edge on RadioSpiral on Saturdays at 1pm, via the direct link, or via TuneIn (and RadioSpiral broadcasts 24/7).
or listen to the podcast either directly from our website, or from the official iTunes podcast.

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This event repeats every week forever


STAR'S END, hosted by Chuck van Zyl, broadcasts live weekly beginning at 1:00AM on Saturday night until 6:00AM Sunday morning (USA Eastern Time Zone). Originating from WXPN, Non-commercial Radio from the University of Pennsylvania, STAR'S END has occupied this time slot since its inception back in 1976 making it one of the longest running radio programs of Ambient/Space music in the world.
For more on the history of STAR'S END, please the show website at: http://www.starsend.org/
WXPN's signal is sent to various other radio stations, repeaters and translators throughout Pennsylvania and Maryland:
88.5FM WXPN Philadelphia, PA 88.7 FM Middletown, York and Lancaster, PA 90.5 FM WKHS Worton/Baltimore, MD 91.9 FM WXPJ Hackettstown, NJ 99.7 FM Harrisburg, PA 104.9 FM Lehigh Valley, PA W285DH Whitehall, PA In addition to the various land based FM radio transmissions, STAR'S END can also be received live via the World Wide Web. Learn about the live stream by accessing http://xpn.org

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This event repeats every week on Sunday forever


A New Age/Ambient/Electronic music radio show on WVKR-FM every Sunday from 9AM-12 noon. On the air since 1987. To listen in, go here: http://www.wvkr.org/
Web Site: http://secretmusicwvkr.blogspot.com/

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This event repeats every week forever


UB RADIO SALON
broadcasts LIVE every SUNDAY
5-7pm USA PST
1.00-3.00 GMT / 2.00-4.00 CEST 

archives available after the show via Internet Archive:
http://archive.org/search.php?query=ubradio&sort=-publicdate

LIVE WEB BROADCAST
STREAMING INTERNET RADIO
DFM RTV INT

Website: http://DFM.NU/
Player Link: http://STEREO.DFM.NU/

LIVE CHAT on DFM: http://dfm.nu/help/chat/

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FREQUENCY MODULATION RADIO 
Hosted by Thomas Dimuzio
KPFA 94.1 FM Berkeley, CA
10:00 PM - 1:00 AM PDT
2nd and 5th Sundays
http://www.kpfa.org/
 

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This event repeats every week forever


A Duck in a Tree is a weekly radio programme created by :zoviet*france: and broadcast by Resonance 104.4 FM on FM, DAB and online in London; by Resonance Extra on DAB and online in Brighton, UK; and by Colaboradio on FM and online in Berlin and Potsdam, Germany. Each programme is a 59 minute continuous mix of some of the best genre-refusing, zero BPM, hypnatropic and maximinalist recordings that have grabbed our attention.
Web Site: http://zovietfrance.podbean.com/

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This event repeats every year forever


Milton Byron Babbitt (May 10, 1916 – January 29, 2011) was an American composer, music theorist, and teacher. He is particularly noted for his serial and electronic music.
Babbitt was born in Philadelphia (Barkin & Brody 2001) to Albert E. Babbitt and Sarah Potamkin. He was Jewish (Anon. & n.d.(b)). He was raised in Jackson, Mississippi, and began studying the violin when he was four but soon switched to clarinet and saxophone. Early in his life he was attracted to jazz and theater music. He was making his own arrangements of popular songs at seven, and when he was thirteen, he won a local songwriting contest (Kozinn 2011).
Babbitt later became interested in electronic music. He was hired by RCA as consultant composer to work with their RCA Mark II Synthesizer at the Columbia-Princeton Electronic Music Center (known since 1996 as the Columbia University Computer Music Center), and in 1961 produced his Composition for Synthesizer. Babbitt was less interested in producing new timbres than in the rhythmic precision he could achieve using the Mark II synthesizer, a degree of precision previously unobtainable in live performances (Barkin & Brody 2001).
Read more - https://en.wikipedia.org/wiki/Milton_Babbitt

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This event repeats every 14 days forever


The Deprogramming Center
Avant Garde Radio
Broadcasts On KOWS 92.5 FM From Sebastopol, California
Midnight Every Other Friday (12:00 AM Saturdays), USA Pacific Time
Hosted By Swami Loopynanda
Replays Are Offered For About A Month After Airings From Links At Archive.Org
If You Want Your Music Played On The Show, Let Me Know
For Current Programs And Links To Current Shows, Go Here:
The Deprogramming Center
 

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This event repeats every year forever


Tristram Ogilvie Cary, OAM (14 May 1925 – 24 April 2008) was a pioneering English-Australian composer. He was also active as a teacher and music critic.
His concert works of note include a Sonata for guitar (1959), Continuum for tape (1969), a cantata Peccata Mundi (1972), Contours and Densities at First Hill for orchestra (1972), a Nonet (1979), String Quartet No. 2 (1985) and The Dancing Girls for orchestra (1991).
Cary is also particularly well known for his film and television music. He wrote music for the science fiction television series Doctor Who(including the first Dalek story), as well as the score for the Ealing comedy The Ladykillers (1955). Later film scores included Quatermass and the Pit (1967) and Blood from the Mummy's Tomb (1971), both for Hammer. He also composed the score for the ABC TV animated version of A Christmas Carol. and the children's Animated special Katya and the Nutcracker.
Read more - https://en.wikipedia.org/wiki/Tristram_Cary

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Brian Peter George St John le Baptiste de la Salle Eno, is an English musician, composer, record producer, singer, writer, and visual artist. He is best known for his pioneering work in rock, ambient, pop, and electronic music. A self-described "non-musician", Eno has helped to introduce a variety of unique conceptual approaches and recording techniques into contemporary music, advocating a methodology of "theory over practice" throughout his career. He has been described as one of popular music's most influential and innovative figures.
Read more - http://www.brian-eno.net/

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Robert Fripp (born 16 May 1946) is an English guitarist, composer and record producer. As a guitarist for the progressive rock band King Crimson, Fripp has been the only member to have played in all of King Crimson's line-ups from their inception in the late 1960s to the present. He has also worked extensively as a studio musician, notably with singer David Bowie on the albums "Heroes" and Scary Monsters (And Super Creeps), Brian Eno, David Sylvian and contributed sounds to the Windows Vista operating system. His complete discography lists more than seven hundred releases over four decades. He is ranked 62nd on Rolling Stone magazine's 2011 list of the 100 Greatest Guitarists of All Time after having been ranked by David Fricke 42nd on its 2003 list. Tied with Andrés Segovia, he also is ranked 47th on Gibson's Top 50 guitarists of all time. His compositions often feature unusual time signatures, which have been influenced by classical and folk traditions. His innovations include Frippertronics, soundscapes, and new standard tuning.
Read more - https://www.dgmlive.com/robert-fripp
 

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This event repeats every month forever


"No Pigeonholes EXP" is a spin off of the long running underground music show, "No Pigeonholes", hosted by Don Campau. On the "EXP" edition the focus is on experimental music including new and old material spanning free jazz, electronic, progressive,post rock/jazz, drone, ambient, sound collage, improv, minimal techno and more. The show is broadcast live from 6-8 PM Pacific Time on KOWS-FM in Sonoma County California. www.kows.fm
The show is on live on the 1st, 3rd and 5th weeks of each month.
I also make a podcast of each after broadcast available here: https://www.podomatic.com/podcasts/nopigeonholesexp
As with my regular show I welcome submissions. For more details go here: http://www.doncampau.com/NoPigeonholesSubmit.htm
 
 
 
 

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This event repeats every year forever


Robert Arthur "Bob" Moog (May 23, 1934 – August 21, 2005), founder of Moog Music, was an American engineer and pioneer of electronic music, best known as the inventor of the Moog synthesizer. During his lifetime, Moog founded two companies for manufacturing electronic musical instruments. Moog's innovative electronic design is employed in numerous synthesizers including the Minimoog Model D, Minimoog Voyager, Little Phatty, Sub 37, Moog Taurus Bass Pedals, Moog Minitaur, and the Moogerfooger line of effects pedals.
Read more at https://en.wikipedia.org/wiki/Robert_Moog

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Karl Bartos (born 31 May 1952 in Berchtesgaden, Germany) is a German musician and composer.
He was a drummer of college band The Jokers (later The Jolly Jokers in 1975 ) as Carlos Bartos, around 1965 to 1972. Between 1975 and 1991, he was, along with Wolfgang Flür, an electronic percussionist in the electronic music band Kraftwerk.  He was originally recruited to play on Kraftwerk's US "Autobahn" tour. In addition to his percussion playing, Bartos was credited with songwriting on the Man-Machine, Computer World, and Electric Café albums and sang one lead vocal on the latter.
In 1992 Bartos founded Elektric Music. This new project released the Kraftwerk-style Esperanto in 1993, and then the more guitar-based Electric Music in 1998. In between the two albums, Bartos collaborated with Bernard Sumner and Johnny Marr on Electronic's 1996 album Raise the Pressure, and co-wrote material with Andy McCluskey of OMD, which appeared on both Esperanto and OMD's Universal album. In 1998, he also produced an album by Swedish synthpop band the Mobile Homes, much in the style of his work with Electronic: guitar-pop with very slight synthetic references. It was received as a great disappointment to synthpop fans, but it sold more than any of their previous albums and was used in an advert for an airline.
Read More - https://en.wikipedia.org/wiki/Karl_Bartos

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