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SynthFest 2021 Online – Free / Whenever you want / At home
Demos, masterclass, workshop, concerts – Only free and exclusive contents
Programme en cours de construction / Program under construction
Check out the full event details and schedule at synthfestfrance.com

    

Loop Create is a free, interactive event for music makers. Designed to bring people together across time zones, the eight-hour program starts on the morning of June 26 at 11:00, Berlin time (UTC+2), and runs twice in a row – so you can join in from wherever you are without missing a beat. All you need to do is register by June 20.
Read the full event information on the official page at loop.ableton.com
 

    

This event began 04/27/2017 and repeats every week on Wednesday forever


This is my current weekly programme. It's not entirely electronic, and some weeks may not have any at all, but it's part of the name, so has a large representation. Unfortunately, it is only an hour, so longer pieces rarely get heard, but I try to when I can. Everything from classic studio type works to current high-tech wonders, though I tend to steer away from overly beat-driven or "pop" sounding tracks.
https://ciut.fm/shows/electric-sense/

This event began 05/31/1952 and repeats every year forever


Karl Bartos (born 31 May 1952 in Berchtesgaden, Germany) is a German musician and composer.
He was a drummer of college band The Jokers (later The Jolly Jokers in 1975 ) as Carlos Bartos, around 1965 to 1972. Between 1975 and 1991, he was, along with Wolfgang Flür, an electronic percussionist in the electronic music band Kraftwerk.  He was originally recruited to play on Kraftwerk's US "Autobahn" tour. In addition to his percussion playing, Bartos was credited with songwriting on the Man-Machine, Computer World, and Electric Café albums and sang one lead vocal on the latter.
In 1992 Bartos founded Elektric Music. This new project released the Kraftwerk-style Esperanto in 1993, and then the more guitar-based Electric Music in 1998. In between the two albums, Bartos collaborated with Bernard Sumner and Johnny Marr on Electronic's 1996 album Raise the Pressure, and co-wrote material with Andy McCluskey of OMD, which appeared on both Esperanto and OMD's Universal album. In 1998, he also produced an album by Swedish synthpop band the Mobile Homes, much in the style of his work with Electronic: guitar-pop with very slight synthetic references. It was received as a great disappointment to synthpop fans, but it sold more than any of their previous albums and was used in an advert for an airline.
Read More - https://en.wikipedia.org/wiki/Karl_Bartos
 

This event began 06/22/2017 and repeats every year forever


Todd Harry Rundgren (born June 22, 1948) is an American multi-instrumentalist, singer, songwriter, and record producer. Hailed in the early stages of his career for both his own material and for his production of other artists, and particularly his 1972 album Something/Anything?,[6] his career has produced a diverse and eclectic range of recordings often both as a solo artist and as a member of the band Utopia. Rundgren has often been at the forefront as a promoter of cutting edge recording technologies.
During the 1970s and 1980s, Rundgren engineered and/or produced many notable albums for other acts, including The Band's Stage Fright (1970), Badfinger's Straight Up (1971), Grand Funk Railroad's We're an American Band (1973), the New York Dolls's New York Dolls (1973), Hall & Oates's War Babies (1974), Meat Loaf's Bat Out of Hell (1977) and XTC's Skylarking (1986). In the 1980s and 1990s, his interest in video and computers led to his "Time Heals" (1981) being the eighth video played on MTV, and "Change Myself" (1991) was animated by Rundgren on commercially available Amiga computers.
Read More - http://www.todd-rundgren.com/


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