Spectral Audio Neptune

   0 reviews  -  113 views
    Description
    The Neptune is a purely analog synthesizer with MIDI control. It offers special features and is simple to use because it has a button or switch for each parameter. The audio input enables to process external signals.

    The basic principle of the Neptune corresponds to the proven analog synthesizer principle equipped with VCO, VCF, VCA, envelope generator and LFO. This principle is called subtractive synthesis.To make the Neptune suitable for MIDI, an additional MIDI to CV converter is applied which converts the MIDI signals into analog signals. These control the VCOs, the filter, as well as the envelope generator.

    The raw material for the sound is provided by the VCOs (Voltage Controlled Oscillator) in the form of a sawtooth or rectangular signal as well as the noise generator (for effects such as wind and thunder sounds). VCO2 is synchronised by the VCO1 with the SYNC switch. The sound becomes interesting when the TUNE regulator of the VCO2 is turned (or modulated by the LFO VCO2), resulting in a typical "Sync-Sound". By means of the external VCO input, other sounds can also serve as raw material.<br />The ring modulator multiplies the signals of the two VCOs and this significantly amplifies the beats (frequency difference).

    The SLIDE regulator determines the time balance from one note to another and is valid for both VCOs and the suboscillator. Afterwards, the signal flows through the voltage-controlled filter (VCF=Voltage Controlled Filter), within which certain frequency ranges are suppressed. The lowpass filter allows low frequencies to pass and suppresses the high ones, the highpass filter lets high frequencies pass and suppresses the low ones. The frequency from which the signals are suppressed is called the limit or cut-off frequency. In the Neptune, this is formed by various sources:

    1. CUTOFF frequency regulator

    2. ENV MOD regulator (influence of the envelope curve on the cut-off frequency)

    3. LFO 4. KEYFOLLOW.

    The KEYFOLLOW is always 100%. It causes the cut-off frequency to increase on higher notes so that the audible freqency band always remains the same. Moreover the filter can be used as an oscillator, if the resonance is set to the maximum. The resonance forms a feedback of the output to the input of the filter and causes an amplification of the frequencies around the cut-off frequency.

    Afterwards the signal reaches the distorter, witch provides two different ways of distortion. Before the signal leaves the Neptune, it arrives at the VCA (Voltage Controlled Amplifier). Here the input signal is multiplied by a control signal. In this way, the volume can be influenced by a control signal coming from the envelope generator.

    The LFO is particularly designed in the Neptune. The oscillator is either freely controllable or fixed to the MIDI to CV converter. In this case it works as a suboscillator. Note: When using the LFO in a freely controllable way, the description at the oct-switch does not apply. It is however possible to adjust a coarse frequency. Using its signal, the pitch from VCO1 and VCO2 and thus the cut-off frequency of the filter can be modulated. If the MIXER switch is on, the LFO output is directly audible. In this case, the MOD pot is the volume.

    The rotary switch allows 5 different signal forms to be selected from. Additonaly, the VCO 2 can be used as a modulation source. The MIDI SYNC switch allows the LFO to be sycronized by the MIDI clock.

    The envelope generator determines the chronological sequence of the volume after receiving a sound command. The MIDI to CV converter then issues a gate signal (+5V) starting the sequence of the envelope generator. The gate signal remains active at +5V until the 'sound off' command comes, i.e., when the key is released:
    Images
    Architecture
    Type: Analog
    Synthesis: Subtractive
    Oscillators
    Oscillators: 3
    Waveforms: Pulse, Saw Up, White Noise
    Osc Modulation: Continuous Controller, Envelope, Knob, LFO, Ring Modulation, Sync Hard
    Envelopes
    Envelopes: 1
    Evelope Paramerters: Attack, Decay, Sustain, Release
    Filters
    Filters: 1
    Types: 24dB Slope (4-pole), High Pass, Low Pass, Resonance
    Filter Modulation: Envelope, Knob, LFO
    LFO
    LFO: 1
    LFO Parameters: Noise, Sample & Hold, Saw Up, Triangle
    Polyphony & Tuning
    Polyphony: 1
    Tuning: Standard
    Modes: Mono
    Patches
    Patches RAM: 1
    Effects
    Distortion and ‘Fuzzer’ Effect
    Case
    Case: Rack
    Rack Size: 19", 2U, Full
    Controls: Buttons, Knobs, Switches, Modulation 1/4" Jacks
    Connections
    Audio Output Connections: 1/4" Phone Jack, Mono Out
    Audio Output Count: 1
    Inputs: 1 x 1/4" input
    MIDI Ports: IN, THRU
    CV Ports: CV IN, CV OUT, Gate In, Gate Out
    Pricing
    Used: $600
    Production
    Released: 1999
    Discontinued: 2003
    Manuals & Documents

    Product Links
    Company Product Sites:
    [+] www.spectralaudio.ch

    Shopping


    YouTube Videos
    References & Sources




User Feedback

Create an account or sign in to leave a review

You need to be a member in order to leave a review

Create an account

Sign up for a new account in our community. It's easy!


Register a new account

Sign in

Already have an account? Sign in here.


Sign In Now

There are no reviews to display.