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Vermona - ’14 Analogsynthesizer

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    Description
    With the completion of the ’14 Analogsynthesizer, a long fostered dream becomes true: The design and realization of an uncompromising synthesizer for instrumentalists.

    Equality of haptics and sound

    To us, expressive play means a balanced relation between melodic virtuosity and sound shaping. In our ’14 Analogsynthesizer, these factors unite in full equality: Keyboard, pitch- and modulation-wheels are incomplete without the additional controls and switches of the remaining control surface. These offer direct access to each individual sound shaping parameter of the synthesis engine.

    The ’14 Analogsynthesizer is perfectly suited for distinctive solo and bass sounds including dynamic and individual sonic variations which are completely under your control at any time.

    Uncompromising circuit implementation

    The components being responsible for the sound-generation and -shaping are based upon our proved and tested circuits of PERfourMER MKII and Mono Lancet ’15. However, we did not just carry over these circuits but have adapted and refined these specifically for the ’14 Analogsynthesizer. Besides stability and musicality, we paid great attention to an intuitive and practical scaling of each and every sound parameter.

    The ’14 Analogsynthesizer follows the classic subtractive synthesis structure: a versatile lowpass molds the sound-source being created by two powerful analog oscillators. Typical for Vermona instruments, the sound is warm, round, classy and offers musical authority in the mix.

    Handmade in our electroacoustic manufacture in Germany

    There a hundreds of work steps from the assembly of the circuit boards to the final, rigorous quality assurance of the finished instrument. Without exception, these steps are carried out with skilled craftsmanship and expert precision in our Elektroakustische Manufaktur in Erlbach, Germany.

    Each ’14 Analogsynthesizer is an outstanding instrument and leaves our manufacture as one of just 222 units.
    Images
    Architecture
    Type: Analog
    Synthesis: Subtractive
    Oscillators
    Oscillators: 2
    Waveforms: Pulse Variable, Saw Up, Sine, Sub Oscillator, White Noise
    Osc Modulation: Envelope, Knob, LFO, Mod Wheel, Pitch Wheel, Sync Hard
    Envelopes
    Envelopes: 2
    Evelope Paramerters: Attack, Decay, Sustain, Release
    Envelope Notes::
    + Legato mode can be switched on/off per envelope generator
    Filters
    Filters: 1
    Types: 12dB Slope (2-pole), 18dB Slope, 24dB Slope (4-pole), Low Pass, Resonance
    Filter Modulation: Envelope, Keyboard, LFO
    LFO
    LFO: 1
    LFO Parameters: Sample & Hold, Saw Up, Saw Down, Sine, Square, Triangle, Clocked, Freerun
    Polyphony & Tuning
    Polyphony: 1
    Tuning: Standard
    Modes: Mono
    Patches
    Patches RAM: 1
    Arpeggiator
    + ARP (classic arpeggiator mode)
    + SEQ (complete arpeggios can be stored)
    + Up to 60 notes with velocity
    Case
    Case: Keyboard
    Case Details: 44 keys
    Keyboard: 61 keys, Semi-weighted, Plastic
    Controls: Aftertouch, Velocity, Switches, Mod - Wheel, Mod - Wheel 2, Pitch -Wheel, Modulation 1/4" Jacks, Modulation - Audio Input, Pedal - Sustain, Pedal - Volume, Arpeggiator
    Dimensions (WxDxH): 77 x 31 x 15 cm
    Weight: 6,5 kg
    Connections
    Audio Output Connections: 1/4" Phone Jack, 1/8" Phone Jack, XLR, Mono Out
    Audio Output Count: 4
    Inputs: 1 x 1/8" input, 1 x 1/4" input
    MIDI Ports: IN, OUT, THRU
    CV Ports: CV OUT, Gate Out
    Production
    Year Released: 2015
    Units Made: 222
    Manuals & Documents

    Product Links
    Company Product Sites:
    [+] www.vermona.com
    Pricing
    Retail Street Price: $2,299 - convert
    Shopping
    YouTube Videos


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