Offspring from a noble house - the little synthesizer machine with the big and evil sound.
Waldorf is back in the game. With the Blofeld. This synthesizer offers all the unique qualities that made Waldorf a truly legendary brand.
The engine inside the heavy duty, full metal chassis of the Blofeld delivers the same fat and rich sound that so many Waldorf users worldwide love when they play their Pulse, Q, Q+, Micro Q, Microwave, Microwave II/XT, or even the flagship Wave.
Yes, you've heard it right. The Blofeld is not only capable of producing these warm, organic analog sounds known from the Q synthesizer line, it also sports a wavetable engine like its predecessors with "Wave" in their names.
This unique synthesis system is based upon the revolutionary PPG Wave synthesizers of the early 80s. So when you listen to the Blofeld for the first time, you will instantly recognize those edgy, hard-hitting and bell-like timbres that have been an integral part of so many world hits from the PPG era on, and become increasingly popular once more.
In fact it is amazing to realize that nowadays this complex technology fits into such a slim and elegant device. And for a price no-one would have imagined a couple of years ago.
Each of the three oscillators offers authentic circuit-models of analog waveforms: Pulse with variable pulse-width, sawtooth, triangle and, as found in relatively few analog synthesizers these days, sine wave.Furthermore, oscillators 1 and 2 feature the two wavetables that were introduced by the Waldorf Q and appeared shortly thereafter in the Micro Q series.
Not only that, the Blofeld includes all ROM Wavetables from the mighty flagship Waldorf Wave as well as Microwave II/XT. Plus, lo and behold, the desperately requested "Upper Wavetable" from the good old PPG Wave! But, for the first time in the history of Waldorf and PPG, each of these two oscillators can have its own wavetable.
What's more, you have control over the brilliance of these wavetables, which is especially important for waves with lots of harmonics in the bass end. You decide if you prefer pure and perfect harmonics or the same edgy timbre you know and love from the earlier Waldorf and PPG synthesizers.
Brilliance also affects the sawtooth and pulse oscillator models. From warm and soft (for those typical L.A. string pads) to the hard shapes you need for punchy and biting bass sounds. But note, Brilliance is not a simple filter applied after the oscillators, the model itself is modified.
Each of the three oscillators can be frequency-modulated by any of the other oscillators, the noise generator or one of the LFOs. With low FM amounts, you can add a little dirt to the oscillator sound, with higher amounts you get typical FM effects.
On top of all that, oscillator 2 can be hard-synced to oscillator 3.
Oscillators 1 and 2 can be ring-modulated to create bell-like or metallic sounds, eerie sound effects as well as pumping basses and leads.
The noise generator delivers white noise that can be filtered low or high pass, depending on the Noise Colour setting.
The three oscillators, the ring modulator and the noise generator can be freely mixed into filter 1 and filter 2. This allows fine control over the harmonic content of each of the tone generators.
The Blofeld has two multimode filters per voice that can be routed in series or in parallel. Each Filter has its own Pan parameter for easy creation of stereo sounds.
The selection of filter types includes low pass, band pass, high pass and notch (band reject), each with 12dB/oct or 24dB/oct slope. The filter models are based on several famous Waldorf filter algorithms found in all our products. They offer resonance up to self-oscillation as well as frequency modulation (filter FM).
Furthermore, the Blofeld features the same comb filter types (with positive and negative feedback) that we first introduced in the Waldorf Q. These can be used to thicken bass and pad sounds or to create percussive, string or flute sounds reminiscent of physical modelling.
Overdrive, Saturation, Distortion, Shaping
You name it. The Blofeld offers a freely controllable "Drive" behind each filter with more than a dozen curves. These include such standards as the drive from the Q and Micro Q, low/medium/hard saturation, tube saturation, two types of electric pickups, a rectifier, digital overflow as well as esoteric stuff such as "binary distortion", a sinusoidal waveshaper and even a distortion controlled by oscillator 1. And because the Blofeld has two filters that can be routed in series, you can control the timbre of the drive output of Filter 1 by dampening or emphasizing certain frequencies with filter 2.
The Blofeld has two effect slots with various types. In Multimode, the first effect slot is available per Part, while the second one is used for all 16 Parts (i.e. global) with controllable mix levels. Part 1 determines the settings of the second effect.
The first effect slot offers such modulation effects as chorus, flanger as well as a combined type called "Triple FX". The latter gives you several effects at once, but with a reduced parameter set.
The second effect slot offers all the same types as the first, but with the addition of delay, clocked delay and reverb.
Waldorf Blofeld EnvelopeFour envelopes with different types and trigger modes affect any sound parameters you choose.
Each envelope can be either polyphonic or single trigger. This is especially interesting with the monophonic voice allocation, as the filter envelope can be set to be triggered only by the first note(s) while the Amp Envelope is triggered anew (i.e. on each note). Think "organ percussion register", for instance.
The Envelope types include the standard ADSR as well as an enhanced ADSR-variant (with controllable attack level and two decay and sustain stages), two different loop envelopes and a "one shot" Envelope.
The Loop types can be used to act as additional LFOs, while the One Shot is perfectly suited for percussion sounds (which typically ignore the note release).
Waldorf Blofeld LFO
Each of the three LFOs offers sine, triangle, square and sawtooth waveforms, plus sample & hold and random.
LFOs can be synchronized to MIDI clock, they can be polyphonic or monophonic, reset on key trigger to a freely definable phase, and the speed can be scaled by MIDI note (key follow). There are separate delay and fade in/out parameters for e.g. delayed vibrato (positive Fade values) or a burst of vibrato at the start of each note (negative Fade values).
One important feature of the Blofeld LFOs is that higher rates reach well into the audio frequency range, thus making them useful extra FM sources. There are two basic modes: either linear FM as seen in classic digital synths, or logarithmic FM, which is primarily the domain of analog modular systems.
Waldorf Blofeld ArpeggiatorOkay, Blofeld's arpeggiator could very well become the biggest chapter of this page but let's try to keep it short...
It features variable clock divisions from 1/64 triplets to more than 1000 bars, with variable swing/shuffle, a range of up to 10 octaves. Up, down and alternate figures, selectable play order from low to high note, low to high velocity, as played or reversed, variable note length, different velocity modes. And Hold or One-Shot, if you like.
But more importantly, it has the most powerful Pattern Editor we have ever seen.
You can set each Step to either play the note it would do so anyway, to pause, to play the previous note again, play the first or the last note, play those together, play a chord consisting of all held notes or a randomly selected note.
Then you can adjust the Accent of each step (including silence), activate or deactivate Glide for each step, set the timing to play a step ahead or behind its nominal time, and finely adjust the note length between short staccato and full legato.
No wonder this arpeggiator had great reviews when it first appeared in the Waldorf Q. It will take you straight to arpeggiator-heaven, as has already happened to thousands of Waldorf customers. Dig it!
Waldorf Blofeld Sound
Now, how does all that sound? You probably know that Waldorf synthesizers are well loved for their sound character, and the Blofeld is certainly no exception. But who are we to tell you? Better listen to the Waldorf Blofeld demos, visit your dealer or just believe us: it sounds great. Now go and get one!
Waldorf Blofeld Sound SelectorThe Blofeld has a gorgeous user interface with a huge graphic display giving you precise visual feedback. Seven endless rotaries plus a volume knob all made of steel invite you to explore the depth and power of Blofeld.
Selecting sounds is a breeze. If you just want to browse through the available sounds, use the dial above the Play button. If you want to jump to a different soundbank, use the left dial under the display. Selecting a category with the right dial (under the display) causes Blofeld to show only sounds belonging to that particular category.
Editing sounds to suit your needs is just as easy. The most frequently used parameters are laid out on the front panel. Just select the appropriate row with the four buttons to the left of the parameter matrix and turn the knobs.
This parameter matrix allows instant control over oscillator waveforms, semitone offset, detuning and levels – filter cutoff, resonance, type and envelope amount – envelope rates and levels (two of the four envelopes), LFO speed and shape (two of the three LFOs) – the modulation matrix, the effect mix – arpeggiator mode and clock.
As soon as you press one of the buttons of the parameter matrix, the display switches to the most appropriate page for that parameter set.
Waldorf Blofeld Oscillator
Selecting one of the oscillators brings up one of the oscillator pages. Each oscillator, the ring modulator and the noise generator can be mixed freely into the two separate multimode filters.
A special overview page displays this routing as well as the levels and shapes of the tone generators.
Waldorf Blofeld FilterOf course the two filters have dedicated pages showing filter response curves. Here is an example of the response of the 24dB low pass type.
Even the comb filter types are displayed graphically.
Waldorf Blofeld FilterThe two filters can be routed in series or parallel, the latter allowing you to pan both filters individually.
Waldorf Blofeld EnvelopesNext, there are the Envelopes, which can be the classic ADSR type, looped or without hold and release stages (one shot). All in all, there are five different types.
Waldorf Blofeld LFOThe three LFOs offer separate parameters for delay and fade in/out.
Modulations and Modifiers
Waldorf Blofeld ModulationSo what can you do with all these envelopes, LFOs and the other control sources? Apart from serving as direct modulation sources, you can easily connect them to other modulation destinations in the modulation matrix.
And if that's not enough, you can even create new modulation sources by modifying an existing one with algorithmic operations. Sounds too complicated? Maybe. But it is great fun even if you don't know what you are doing!
Waldorf Blofeld ModifierBy the way, the Modifier in the picture creates a "steppy" modulation based on the original continuous waveform of LFO 1, whatever that LFO waveform might be.
Waldorf Blofeld Arpegiator Last but not least, the Blofeld has a freely programmable arpeggiator that displays the pattern you have created.
Waldorf SpectreSpectre is a tool for creating and transferring Sample Content for Waldorf Blofeld with License SL and Waldorf Blofeld Keyboard.
Both are synthesizers with the additional ability to play back Samples.
If you have none of the above, you are still welcome to explore Spectre and fantasize what it would be like to own one of the above instruments. Spectre is a free application available for Windows PC and Mac.
Synthesis: Frequency Modulation, Sampling, Subtractive, Virtual Analog, Wave Table
Waveforms: Pink Noise, ROM, Saw Down, Saw Up, Sine, Square, Triangle, Wave Table, White Noise
ROM Resolution: 16 bit, 44.1 kHz
Osc Modulation: Continuous Controller, Envelope, Keyboard, Knob, LFO, Mod Wheel, Oscillator, Pedal, Pitch Wheel, Glide / Portamento, Velocity
Sampling: 16 bit, 44.1 kHz
Unit does not sample but lets the user load in user sample content using optional Spectre program for PC/MAC
Evelope Paramerters: Attack, Decay, Decay 2, Sustain, Sustain Level, Release, Release 2, Freerun, Looping, User Drawn
Types: 12dB Slope (2-pole), 24dB Slope (4-pole), Band Pass, Comb, High Pass, Low Pass, Notch
Filter Modulation: Envelope, Keyboard, Knob, LFO, Mod Wheel, Oscillator, Pitch Wheel
LFO Parameters: Sample & Hold, Saw Up, Saw Down, Sine, Square, Triangle, Clocked, Freerun, Key Sync
Polyphony & Tuning
Tuning: Atonal, Micro, Standard
Modes: Mono, Polyphonic
Patches RAM: 1000
Patches ROM: 1000
Storage: Internal, USB
Editing: MIDI, USB
Freely programmable Arpeggiator Pattern with up to 16 Steps per Sound.
1 Effect slot per part
1 Effect slot globally for all parts
Controls: Buttons, Knobs, Velocity
Display Type: LED, Backlit
Display Count H: 128
Display Count V: 64
Audio Output Connections: 1/4" Phone Jack, Stereo Main, Stereo Headphone
Audio Output Count: 3
MIDI Ports: IN, USB
Year Released: 2007
Manuals & Documents